The first step involved scanning the art and then reducing it to the actual size of the finished piece. I took a piece of acetate and traced (yes, I cheated) the painting. The acetate "tracing" was taped to a piece of white paper and traced again sing a piece of waxed paper. A fine point Sharpie worked fine for drawing on the waxy surface.
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The tracing. |
A mixture of Sculpey Firm and Sculpey III was mixed together and rolled into a ball. It was then placed on a piece of black floor tile and flattened by pressing down on it with another tile. The wax paper tracing was pressed down over this once the Sculpey was flattened to where the design fit. I then poked through the drawing with a pointed tool. The purpose of this is so an outline of the drawing is left so the forms can be sculpted.
After I finished poking through the entire drawing I slowly peeled the wax paper off. To my surprise the drawing transferred to the Sculpey in addition to the holes from the tool. I thought maybe the tool carried some of the ink though, I'm not really sure.
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Ready for sculpting! |